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"It's a sorry mess," she commented dejectedly. "I don't believe I want to make a goose of myself again. No, I won't try, Norn. You're awfully good to offer to pose, but I'm done with prize designs till I've had more experience," and with a swoop she crumpled the two little stolid figures into an indistinguishable mass, pounding them fiat with her pink palm. "Do you know," Patricia went on, the peculiarly sweet, clear tone that marked her best self growing as she spoke, "I've come to care a lot about that glorious company. 'The kings of the earth shall bring their glory and honor into it,' and I don't see why we all shouldn't have some chance to add our tiny scrap to the splendor. I know I shan't ever do much—only commonplace, humdrum things, but if I can come at last with the least, tiniest bit of a radiant snip to add to the glory and honor, I'll be more than satisfied." "What is your name?" she asked, in a high, squeaking voice that Patricia failed to recognize..
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"Now for a sight of the dislocated gentleman," said Elinor gayly. "And then for the great event." The mansion, with its flat roof and wide verandas, had a tropical look, and indeed it had been built by a retired Indian nabob at the beginning of this century. When he died the house had been sold, and now it was occupied by Mrs. Dallas, who leased it because of its suggestion of tropical habitation. She came from the West Indies, and had lived in "The Wigwam," as the house was called, for over ten years. "Molly," he asked, this time with a heaven-laugh, "where could you be more effectually hid from Alfred Bennett than in my arms?" There was no one in the modeling room but Naskowski, the silent, heavy-shouldered Slav who toiled early and late making up for his lost youth. Him Patricia held to be as impersonal as any of the other furnishings of the room, and she readily took him into her plan..
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